| Audio Files | VBR MP3 | Ogg Vorbis |
| Special Dissonance Theory |
18.2 MB |
5.0 MB |
| Contrallegiance |
11.5 MB |
3.2 MB |
| Break Bad |
24.1 MB |
6.9 MB |
| Arrangement No. 4 for Horns and Churchgoers |
11.0 MB |
2.9 MB |
| Good Charles |
15.3 MB |
4.8 MB |
| Conflict |
12.8 MB |
3.9 MB |
This is tough music — tough to listen to … It is clearly an experiment. At first I thought it was an experiment gone awry … or were all the players drunk? Then I started to really listen — to the horns, organs, percussions — a kaleidoscope of distressed sounds. And distress is the theme: “Contrallegiance,” “Break Bad,” “Conflict,” all, well, about ***CONFLICT*** of some type or another. A horn is the star that recurs in “Special Dissonance Theory” and “Good Charles”: the horn is telling a story, wailing through the cacaphony, desperate to make a point, be heard. This album is ordered chaos… Five stars for originality. —Kim Sacco Sargent
